Subject

Legal Aspects of Arts Management

  • code 04005
  • course 1
  • term Term 2
  • type OB
  • credits 3

Main language of instruction: Spanish

Other languages of instruction: English

If the student is enrolled for the English track then classes for that subject will be taught in the same language.

Teaching staff

Head instructor

Lc. Carlos RIVADULLA - crivadulla@uic.es
Lda. Cristina Ana CALVET - ccalvet@uic.es

Office hours

The three teachers will receive students if they have arranged a previous appointment, by e mail.

Dr. Maria Mut: mariamut@uic.es

Prof. Cristina Calvet: ccalvet@aadpc.cat

Prof. Carlos Rivadulla: crivadulla@ecofrego.com

Introduction

According to the Master’s itinerary, this course is taught in two separate groups: Spanish/Catalan and English.

The professor in charge of the Spanish group is Cristina Calvet and the professor responsible for the English group is Dr Maria Mut. Furthermore, the latter group has another professor, Carlos Rivadulla, who is in charge of the second part of this course, concerning Industrial and Intellectual Property Law.

Given the diverse geographic origin of the students in the English group, this course will use the parameters of international law and will include aspects of European law (European Union).

This course is made up of two parts, each of which will comprise the same number of sessions:

  • The first part will focus on the regime of intellectual property, taking into account the process of international harmonisation that this discipline has recently experienced.
  • The second part will focus on the way International Public Law protects and manages culture and art in all of its forms, both tangible and intangible.

Both parts of the course will have theoretical content as well as practical cases.

Pre-course requirements

The same as for the Master's Degree. 

Objectives

The main objectives of this course are the following:

  • To become familiar with and learn to use legal terminology and concepts.
  • To be able to access and interpret international law regarding culture and art.
  • To solve legal issues regarding the protection and management of culture and art.
  • To achieve a global overview of the set of rules which regulate this area of knowledge and understand the consequences of violating those regulations.
  • To provide students with an understanding of core aspects of intellectual property laws and practice.
  • To encourage students to think pragmatically about the importance of intellectual property rights in the cultural business.

Competences / Learning outcomes of the degree programme

Be able to understand, interpret and implement the Spanish and International law which regulates and protects culture and art, in particular the fundamental aspects of Intellectual Property in order to manage and contract cultural contents and services.

Learning outcomes of the subject

At the end of this course, the student 

  • Uses legal terminology and concepts.
  • nderstands and interprets national and international law regarding culture and art.
  • Knows and uses the basic aspects of intellectual property rights.
  • Masters the techniques and skills necessary for the negotiation of contracts for the management of cultural content.


Syllabus

FIRST PART: INTERNATIONAL LAW AND CULTURE

UNIT 1. Culture regulation in International Conventions

1.1               Culture Protection in International Conventions

1.2               Culture and International Organisations

1.3               UNESCO and the protection of the World Heritage

1.4               Council of Europe. Human Rights and Cultural Cooperation

1.5               Main Conventions on Cultural Co-operation and Cultural Exchanges

 

 

UNIT 2. Culture in the European Union

2.1 Culture: from the EC Treaty to the Lisbon Treaty

2.2 The Legal framework of Culture in the EC Law

2.3 The European Agenda for Culture in a Globalising World

2.4 First generation of cultural programmes and the new culture programme (2007-2013)

2.5 Achievements and Challenges

 

UNIT 3 The protection and trade of Cultural Goods

3.1 Definition of Cultural Good

3.2 The Protection of Cultural Goods in International Conventions

3.3 The Protection of Cultural goods in the EU Directive and EU Regulation

3.4 The Protection of Cultural goods in the Conventions of the Council of Europe

3.5 Present and future overviews

 

SECOND PART: LAW OF INTELLECTUAL PROPERTY

UNIT 1. Introduction to Intellectual Property

UNIT 2. Copyright

  1. A brief history and fundamentals
  2. Subject matter and scope of Copyright
  3. Moral and Economic rights

UNIT 3. Copyright

  1. Copyright Ownership and Transfer
  2. Duration of Copyright

UNIT 4. Copyright

  1. Copyright limitations
  2. Neighbouring rights
  3. Copyright Infringement and Remedies

UNIT 5. Protection of Designs

UNIT 6. Trademarks

UNIT 7. Patents

UNIT 8. Negotiating intellectual property rights

UNIT 9. Intellectual property rights in the information society

Teaching and learning activities

In person

The methodology of this subject includes theoretical lectures and the resolution of practical cases. These tasks will be complemented by different readings, such as international conventions, regulations or laws, as well as doctrinal and jurisprudential texts.

Evaluation systems and criteria

In person

In order to pass, the student must pass each of the two parts of this course.

I

  • Continuous assessment (case-studies, individual and teamwork activities, discussions and oral presentations) 30%
  • Attendance: 10%
  • Final exam: 60%

 II

  • Class participation: 15%
  • Assignments: 30%
  • Mid-term test: 15%
  • Final exam: 40%

 

 

 

Bibliography and resources

Kurt Siehr, The Protection OF Cultural Heritage and International Commerce, International Journal of Cultural Property, Cambridge University Press, pp. 304-326, 1997.

Craig Forrest, International Law and the Protection of Cultural Heritage, Heritage Museum Studies, Routledge, UK.

Barbara T. Hoffman, Art and Cultural Heritage, Cambridge, 2006.

D’Angelo, Mario and Paul Vespérini, Cultural policies in Europe: a comparative approach, Strasbourg: Council of Europe, 1998.

Aron M. Milrad, Artful Ownership : Art Law, Valuation, and Commerce in the United States, Canada, and Mexico, American Society of Appraisers, 2000.

David Ward, The European Union and the Culture Industries: Regulation and the Public Interest, Ashgate, pp. 282, 2008.

Clare Hall, Telecommunications Regulation: Culture, Chaos and Interdependance Inside the Regulatory Process, Routledge, pp., 1999.

Kenneth A Thompson, Media and Cultural Regulation (Culture, Media and Identities series), Sage Publications Ltd; illustrated edition edition, pp. 256, 1997.

Ana Filipa Vrdoljak, History and Evolution of International Cultural Heritage Law: Through the Question of the Removal and Return of Cultural Objects, Accepted Paper Series, Faculty of Laws,  University of Western Australi, 2009.

Aaron M. Milrad, Artful Ownership : Art Law, Valuation, and Commerce in the United States, Canada, and Mexico; American Society of Appraisers, pp.342, 2000.

Simon Evers Hjelmborg, Peter Stig Jakobsen and Sune Troels Poulsen, Public Procurement Law - The EU Directive on Public Contracts, Copenhagen: DJØF Publishing, Pp 450, 2006.

Enrique Banús Irusta, Problemas derivados de la identidad cultural en el context de la ampliación de la Unión Europea, European Union at twenty-five: political and economic challenges, pp.189-204, 2005.

Enrique Banús Irusta; Lengua, nación, Europa; Pulchre, bene recte: homenaje al prof. Fernando González Ollé, pp.139-154,2002.

Enrique Banús Irusta, Participación ciudadana en el nuevo auge de la cultura: ejemplos de la vida teatral y musical, la participación en las organizaciones: un desafío para el nuevo milenio, pp.223-230, 2001.

Enrique Banús Irusta, ¿Desde o hacia el multiculturalismo? Un concepto y su plasmación en la UE y Consejo de Europa?, Razón práctica y multiculturalismo: actas del 1er Simposio Internacional de Filosofía y Ciencias Sociales, pp. 259-78, 1999.

 

Teaching and learning material

      Material
            CAST stsjm52007cafequijanoarredamservicios1.pdf 
            CAST trabajoengrupoartistas1.doc 
            CAST dretsartistes1.pdf 
            CAST dretaudiovisualtema2.pdf 
            CAST conflictosdecaractercontractual.pdf 
            CAST lagestioncolectivaii.pdf 
            CAST lasentidadesdegestion.pdf 
            CAST- elsujetodeld.autor.pdf 
            CAST- tema3.pdf 
            CAST- casoatrabajarenclase.pdf 
            CAST- casoat~1.pdf 
            CAST- derechoaudiovisual.pptx 
            CAST- preguntasparatrabajarengrupo.docx 
            CAST- 1ertemaintroductoriouic.pdf 
            ENGLISH - María Mut m.mut-legalaspects5.pptx 
            ENGLISH - M. Mut m.mut-legalaspects1.pptx 
            ENGLISH - M. Mut m.mut-legalaspects2.pptx 
            ENGLISH - M. Mut m.mut-legalaspects3.pptx 
            ENGLISH - M. Mut m.mut-legalaspects4.pptx 
            Interesting webs websdeinteres.doc 
      Websites
            ADMICAL http://www.admical.asso.fr/default.asp 
            AEDME http://www.aedme.org/presen.html 
            ENGLISH - Council of Europe http://www.coe.int/ 
            ENGLISH - European Union http://europa.eu/ 
            ENGLISH- Spanish Cultural Cooperation http://en.www.mcu.es/cooperacion/CE/Internacional/ConveniosProgramas/Introduccion.html 
            ENGLISH - Unesco http://www.unesco.org/en/ 
            ENGLISH - Unidroit http://www.unidroit.org/ 
            ICOM: INTERNATIONAL COUNCIL OF MUSEUMS http://www.icom-ce.org/ 
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