Universitat Internacional de Catalunya
Mòdul 1: Estètica, Historia i Sostenibilitat
Other languages of instruction: Catalan, English
Teaching staff
Introduction
This module aims to explore the intriguing intersection of fashion, art, and anthropology. Through dynamic methodologies, the module deciphers the complex cultural fabric that exists between modes of dress and the standards of the era. Furthermore, this first module delves into the rich history of global influences that shape today’s fashion industry.
Pre-course requirements
No prior requirements.
Objectives
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Investigate how fashion functions as a language and cultural expression, conveying ethical, social, and personal identities.
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Analyze case studies and historical examples to understand the implicit meanings behind garments.
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Study clothing practices across all cultures, considering the sociocultural, economic, and environmental factors that influence fashion.
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Examine the ecological impact of the fashion industry and explore sustainable alternatives.
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Explore emerging trends that reflect evolving cultural dynamics.
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Understand the role of creative direction and fashion creation.
Competences/Learning outcomes of the degree programme
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Critically analyze some cultural and artistic manifestations within the contemporary historical framework.
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Relate identity and corporeality in the context of contemporary society.
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Understand the history of fashion and examine its relationship with current fashion creation and conception.
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Gain first-hand insight into the daily life of a businessperson and how they manage their team.
Learning outcomes of the subject
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Having a comprehensive understanding of the complex connections between fashion, aesthetics, art, and anthropology.
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To possess a critical perspective on the ethical and cultural implications of fashion and style.
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Being able to analyze and interpret fashion from multiple perspectives: artistic, anthropological, ethical, and sociological.
Syllabus
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Aesthetics and Anthropology of Fashion
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History and Culture of Fashion
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Art and Fashion
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Creative Direction. The Designer’s Work. Eco-design
Teaching and learning activities
In person
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Masterclasses: In masterclasses, the professor not only teaches content or knowledge but also attitudes, motivation, skills, and values. The instructor shares experiences and conveys their passion for the subject, encouraging each participant to express their opinions and arguments before the rest of the students.
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Coaching: Individual or small-group follow-up on how students assimilate the course content. In coaching sessions, mistakes will be corrected, doubts clarified, and exercises and activities proposed to achieve the set objectives.
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Seminar: This activity involves an in-depth, focused study of specific topics, sometimes of particular current relevance and socially debated, through active work in small groups.
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Focused praxis: Periodic, individual submission of exercises designed to learn theory through practice. Each exercise aims to acquire very specific knowledge tailored to the individual, as well as to address particular gaps.
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Meeting points: Organized encounters between students and professionals, scientists, or figures from the international arena. These can take the form of lectures, workshops, discussions, interviews, etc.
Evaluation systems and criteria
In person
- The module will be assessed through continuous assessment.
- It is necessary to pass all evaluative activities in order to successfully complete the module.
- The module’s lead instructor will design the practical assignments to be submitted — some individual and others in groups.
- Class attendance, punctuality, and active participation in all sessions will be valued.
- Projects must be able to demonstrate their authenticity, and the use of AI is restricted to the points specified by the faculty. Detection of plagiarism, copying, or fraudulent use of AI will result in a grade of 0 for the activity.
Bibliography and resources
Adorno, T, Horkheimer, M. Dialéctica de la ilustración. Madrid: Trotta, 1994 (1969).
Aumont, J. La estética hoy. Madrid: Cátedra 1997.
Barthes, Roland. El sistema de la moda y otros escritos. Barcelona: Paidós Ibérica, 2022.
Bergé, Pierre. Cartas a Yves. Barcelona: Elba, 2011.
Bozal, V. El gusto. Madrid: Visor, 1999.
Davis Burns, L. The Business of Fashion: Designing, Manufacturing, and Marketing - Bundle Book + Studio Access Card. Editorial: Fairchild Books; Nº: 6 (19 marzo 2020)
Delay, Florence. Alta Costura. Barcelona: Acantilado, 2019.
Eco, U. Historia de la belleza. Barcelona: Lumen, 2004
Eco, U. Historia de la fealdad. Barcelona: Lumen, 2011.
Entwistle, J., El cuerpo y la moda. Una visión sociológica, Paidós, Barcelona, 2002.
Gehlen, A., El hombre, Ed. Sígueme, Salamanca, 1987.
Gimeno, D., Lara, L, Retail Reset. El fin del retail tal como lo conocemos. Madrid: Almuzara, 2021
Givone, S. Historia de la estética. Madrid: Tecnos 1990.
Gwilt, A. Moda sostenible: Una guía práctica. Editorial Gustavo Gili.
Han, B.C. La salvación de lo bello. Barcelona: Herder
Knight, P., Nunca te pares: Autobiografía del fundador de Nike. Madrid: Conecta, 2016.
Laver, James. Breve Historia del traje y de la moda. Barcelona: Catedra, 2006
Lipovetsky, G, Gustar y emocionar. Barcelona: Anagrama, 2020.
Lipovetsky, G, Roux, E. El lujo eterno. Barcelona: Anagrama, 2004.
Lipovetsky, G, Serroy, J. La estetización del mundo. Barcelona: Anagrama, 2015
Lipovetsky, Gilles. El imperio de lo efímero. La moda y su destino en las sociedades modernas. Barcelona: Anagrama, 1990
Marchán Fiz, S. La estética en la cultura moderna. Madrid: Alianza 1987.
Mauss, M., “Les techniques du corps”, en Sociologie et anthropologie, P.U.F., Paris, 2008, p. 372.
Mirandola, Pico de la, De la dignidad del hombre, (trad. y ed., Luis Martínez Gómez), Editora Nacional, Madrid, 1984.
Platón, Protágoras, 320d. (Trad. C. García Gual, Ed. Gredos, Madrid, 1993).
Riello, Giorgio. Breve historia de la moda. Desde la Edad Media hasta la actualidad. Barcelona: Gustavo Gili moda, 2016.
Scruton, Roger. La Belleza. Barcelona: Elba, 2017.
Simmel, Georg. Filosofía de la Moda. Madrid: Casimiro, 2014.
Simmel, J., “Filosofía de la moda”, en Filosofía de la coquetería y otros ensayos, Revista de Occidente, Madrid, 1945, especialmente pp. 61-76.
Turner, T., “Bodies and anti-bodies: flesh and fetish in contemporary social theory”, en Csordas, C. (ed.), Embodiment and experience. The existential ground of culture and self, Cambridge University Press, Cambridge, 2001.
Wilde, Oscar. Las leyes de la belleza: Tres conferencias sobre moda y arte. Madrid: Carpe Noctem, 2021.